Starlito harps on apologies and enters a not-guilty plea in the circuit court of love in “ Wasn’t Wrong.” On “ Sometimes,” he flexes a dogged country electric guitar, sonically painting temperamental affection. In the midst of it, he bemoans contrition for not showing enough love to another and harbors an unforgiving spirit toward himself. Next, “ Grudge 2.0” has Starlito in another internal battle. “ I’m tryna quit saying I’m trying to quit. Starlito again uses a meta-ish approach on “Bet Back.” It serves as a new testament to the old adage of being sick and tired of being sick and tired: But I’m going all in if I sense that you bluffing. Starlito postures like a shrewd poker player behind dark tinted shades, willing to risk it all if his enemy’s attempt at deception flares unconvincing. He brings his vices to light by giving flashes of addiction. Through it all, he does not mind being vulnerable. Starlito is simply fed up with traveling through a revolving door of loss and redemption. He opens up a piano keystroke-heavy confessional on “ Bet Back.” “Lost it all got it back. But Starlito makes it at least sound attractive. In an oxymoronic twist of blasphemy that so happens to affirm God’s commission for His people, “No Rules” ends with Gump publicly commended: “Got-dammit, you’re a got-damn genius! You must have a got-damn IQ of a hundred and sixty! You are got-damn gifted!”Ĭonvalescence does not always look pretty, especially in a no pain, no gain atmosphere. When asked, “What’s your sole purpose in this army!” Forest Gump answered, “To do whatever you tell me, drill sergeant!” Idolizing Soulja Slim, are yall really down to die with me? ”
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Free C Murder, I was taking notes from Master P. ”Īgain holding fast to his weaponry, there is also a cautious appeal for loyalty rooted in martyrdom. It’s arduous yet just, fighting on one side or another. Untrustworthiness and isolation may beset even the most well prepared, decorated combat veteran in an unforgiving war. Then the album transitions to “ No Rules.” Put on your new nature, created to be like God-truly righteous and holy ” ( Ephesians 4:21-24, NLT). Instead, let the Spirit renew your thoughts and attitudes. “ Since you have heard about Jesus and have learned the truth that comes from him, throw off your old sinful nature and your former way of life, which is corrupted by lust and deception. To “die daily” is a perpetual pruning process. “ And why should we ourselves risk our lives hour by hour?” For I swear, dear brothers and sisters, that I die daily ” ( 1 Corinthians 15:31, NLT). What it is like to be at war with oneself is made clear by the Apostle Paul where the death of some carnal aspect bears new spiritual life. What is armed conflict without a good old-fashioned appeal to the divinity? A battle of biblical proportions calls for biblical references. The more damage you sustain, say due to fearof your own shadow, the closer you come to the lights getting cut out on your future. You have to be willing to outmaneuver and kill your shadow, your old you. There is just one way through a war with oneself. I’m growing up, I rather flip than spend. He also pledges to the tactical, efficient use of resources: I’m in traffic…’cross the street from Kirkpatrick. Matter fact, f- a friend.”Ī lionhearted Starlito also finds himself prey to a dependence that leaves him at least financially healthy if not mentally. In “ Where I’ve Been,” Starlito settles the curiosity implied from the opening lyrics of Caldwell’s “What You Won’t Do For Love.” He tells us he’s armed, dangerous and not wanting for new company. ” The aphorism ushers in a sluggish Bobby Caldwell sample that echoes Starlito’s song title. He insists, “There’s an awful lot you can tell.
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“Forrest Gump” audio clips sprawl about the album as sampled hallmark movie scenes adjoin each song.Īt War With Myself Too begins with Forrest waiting at a Savannah, Georgia bus stop. Throughout the 11-track album, he enlists the assistance of a fictional American cultural icon from Greenbow, Alabama. Starlito rhymes with a fair use of elision, a technique made acceptable with a charismatic Southern accent. (The prequel, At War With Myself, was released in 2011.) It’s an audio production in the form of a cerebral-war documentary seven years since first strike. At least that is what the album art suggests.Īt War With Myself Too is not just a sequel it is an acknowledgement that life is like a box of gaming console.įlickers of sound leave you in a freakishly meta-ish theater of the mind. The biggest fight of his life may be within fingers reach.
Some are gorier than others, and each has a unique sequence of battlefields.Īlong his, Nashville rap artist Starlito has been involved in a summertime shootout-with his ego.